Painting:
Rapture, No. 3, 2015Acrylic on canvas200 x 125 cm
Similar to Rapture, No, 2, the painting continues the same technique of applying layers of colors in a pointillistic manner, with an intention of creating movement or energy, versus a static figure. The hills and valleys dance like moving particles, reminiscent of DNA/Chromosome structures.
On Private Display at McKay Williamson, London
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